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The Fairy Knight, or Oberon the Second is an early Stuart era stage play, a comedy of uncertain and problematic authorship. Never published in its historical period, the play existed only in a manuscript, which is now MS. V.a.128 in the collection of the Folger Shakespeare Library in Washington, D.C.
The Faerie Queene is an English epic poem by Edmund Spenser.Books I–III were first published in 1590, then republished in 1596 together with books IV–VI. The Faerie Queene is notable for its form: at over 36,000 lines and over 4,000 stanzas, [1] it is one of the longest poems in the English language; it is also the work in which Spenser invented the verse form known as the Spenserian ...
Modern English (by the 17th century) fairy transferred the name of the realm of the fays to its inhabitants, [2] e.g., the expression fairie knight in Edmund Spenser's The Faerie Queene refers to a "supernatural knight" or a "knight of Faerie" but was later re-interpreted as referring to a knight who is "a fairy". [3]
Fairy was used to represent: an illusion or enchantment; the land of the Faes; collectively the inhabitants thereof; an individual such as a fairy knight. [1] Faie became Modern English fay , while faierie became fairy , but this spelling almost exclusively refers to one individual (the same meaning as fay ).
Undine is a fairytale novella by Friedrich de la Motte Fouqué in which Undine, a water spirit, marries a knight named Huldbrand in order to gain a soul. Published in 1811, it is an early German romance, which has been translated into English and other languages.
Oberon is a main character in Michael Drayton's narrative poem Nimphidia (1627) about the fairy Pigwiggin's love for Queen Mab and the jealousy of King Oberon. In the anonymous book Robin Goodfellow, His Mad Pranks and Merry Jests (1628) Oberon is known as "Obreon" and is the father of the half-fairy Robin Goodfellow by a human woman.
This genre may include modern fairy tales, which use fairy tale motifs in original plots, such as The Wonderful Wizard of Oz and The Hobbit, as well as erotic, violent, or otherwise more adult-oriented retellings of classic fairy tales (many of which, in many variants, were originally intended an audience of adults, or a mixed audience of all ages), such as the comic book series Fables.
Title page of an Amadís de Gaula romance of 1533. A knight-errant [1] (or knight errant [2]) is a figure of medieval chivalric romance literature.The adjective errant (meaning "wandering, roving") indicates how the knight-errant would wander the land in search of adventures to prove his chivalric virtues, either in knightly duels (pas d'armes) or in some other pursuit of courtly love.