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Daimajin (大魔神, Daimajin, lit. ' Giant Demon God ') is a Japanese tokusatsu [note 1] series centering on an eponymous fictitious giant warrior god. It initially consisted of a film trilogy shot simultaneously and released in 1966 with three different directors and predominantly the same crew. [3]
Her Love Boils Bathwater (湯を沸かすほどの熱い愛, Yu o Wakasu Hodo no Atsui Ai) is a 2016 Japanese drama film directed by Ryōta Nakano. [4] It was selected as the Japanese entry for the Best Foreign Language Film at the 90th Academy Awards, but it was not nominated.
It is the second film in the Yo-kai Watch film series, following the 2014 film Yo-kai Watch: The Movie. It was released on December 19, 2015. It was released on December 19, 2015. [ 1 ] [ 2 ] It was followed by Yo-kai Watch: Soratobu Kujira to Double no Sekai no Daibōken da Nyan! , which released on December 17, 2016.
OpenAI said it is working to build tools that can detect when a video is generated by Sora, and plans to embed metadata, which would mark the origin of a video, into such content if the model is ...
As both his father and grandfather before him, Daisatou has accepted the duty to protect Japan against various giant monsters while working for a sub-division of the defence ministry called the Ministry of Monster Prevention. The Battles with the monster are televised, and the ratings appear to drop or pick up depending on the event, most of ...
Nezura 1964 (ネズラ1964, Nezura Ichikyūrokuyon) is a 2020 Japanese crowdfunded kaiju biopic film directed by Hiroto Yokokawa ().The film was based on Daiei Film's unfinished 1964 Gamera precursor Giant Horde Beast Nezura and stars Yukijirō Hotaru as a character based on the president of Daiei, Mai Saito (), Mach Fumiake (), and Shirō Sano.
AI Amok (Japanese: AI崩壊) is a 2020 Japanese science fiction thriller film directed by Yu Irie, starring Takao Osawa, Kento Kaku, Alice Hirose, Takanori Iwata, Masahiro Takashima, Sei Ashina, Tina Tamashiro, Kimiko Yo, Nanako Matsushima and Tomokazu Miura.
The film has a 53 [4] % rating on Rotten Tomatoes. [5]Andrew Barker of Variety gave the film a negative review and wrote "But Raboy gives us so little to hang onto – be it an arresting image, a palpable touch of the uncanny, or a moment of real tension – that it gets harder and harder to want to follow him."