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Because of the variety of performance modes, oríkì defies classification as music or poetry, and it has been studied from both perspectives. Historically, oríkì was delivered by a specialist in a particular vocal style. [4] For example, ìjálá is acoustically open and intense, while ewì is spoken in a high-falsetto, wailing voice quality ...
Imbongi. An imbongi (plural iimbongi), or a Xhosa praise poet, is a member of the Xhosa community who performs ceremonial activities at important events. An imbongi is traditionally a male who recites emotive poetry, sings, explains family relationships, re-tells historical events and comments on current affairs.
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Sesotho poetry. Sesotho poetry is a form of artistic expression using the written and spoken word practiced by the Basotho people in Southern Africa. Written poetry in the Sesotho language has existed for over 150 years however, the oral poetry has been practiced throughout Basotho history.
The poetry of South Africa covers a broad range of themes, forms and styles. This article discusses the context that contemporary poets have come from and identifies the major poets of South Africa, their works and influence. The South African literary landscape from the 19th century to the present day has been fundamentally shaped by the ...
Izibongo is a genre of oral literature among various Bantu peoples of Southern Africa, including the Zulu [1] and the Xhosa. [2] While it is often considered to be poetry of praise, Jeff Opland and others consider the term "praise" (for "bonga") to be too limiting, since it can contain criticism also.
Mazisi Kunene. Mazisi (Raymond) Kunene (12 May 1930 – 11 August 2006) was a South African poet best known for his translation of the epic Zulu poem Emperor Shaka the Great. While in exile from South Africa's apartheid regime, Kunene was an active supporter and organiser of the anti-apartheid movement in Europe and Africa.
"In The Bazaars of Hyderabad" is a poem by Indian Romanticism and Lyric poet Sarojini Naidu (1879–1949). The work was composed and published in her anthology The Bird of Time (1912)—which included "Bangle-sellers" and "The Bird of Time", it is Naidu's second publication and most strongly nationalist book of poems, published from both London and New York City.
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