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The Doryphoros (Greek Δορυφόρος Classical Greek Greek pronunciation: [dorypʰóros], "Spear-Bearer"; Latinised as Doryphorus) of Polykleitos is one of the best known Greek sculptures of Classical antiquity, depicting a solidly built, muscular, standing warrior, originally bearing a spear balanced on his left shoulder.
Polykleitos (Ancient Greek: Πολύκλειτος) was an ancient Greek sculptor, active in the 5th century BCE. Alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered as one of the most important sculptors of classical antiquity. [1] The 4th century BCE catalogue attributed to Xenocrates (the "Xenocratic catalogue ...
The Diadumenos ("diadem-bearer"), together with the Doryphoros (spear bearer), are two of the most famous figural types of the sculptor Polyclitus, forming a basic pattern of Ancient Greek sculpture that all present strictly idealized representations of young male athletes in a convincingly naturalistic manner.
The Augustus of Prima Porta (Italian: Augusto di Prima Porta) is a full-length portrait statue of Augustus, the first Roman emperor. The statue was discovered on April 20, 1863, during archaeological excavations directed by Giuseppe Gagliardi at the Villa of Livia owned by Augustus' third and final wife, Livia Drusilla in Prima Porta.
The Doryphoros, by Polykleitos, paradigm of the classical male canon.Copy in the National Archaeological Museum of Naples. Classical Greek sculpture has long been regarded as the highest point in the development of Ancient Greek sculpture.
Polykleitos: The Doryphoros, the summary of the aesthetic idealism of Classicism. The sculpture of Classicism, the period immediately preceding the Hellenistic period, was built on a powerful ethical framework that had its bases in the archaic tradition of Greek society, where the ruling aristocracy had formulated for itself the ideal of arete, a set of virtues that should be cultivated for ...
Contrapposto. A marble copy of Polykleitos ' Doryphoros, an early example of classical contrapposto. Contrapposto (Italian pronunciation: [kontrapˈposto]) is an Italian term that means "counterpoise". It is used in the visual arts to describe a human figure standing with most of its weight on one foot, so that its shoulders and arms twist off ...
Suetonius tells the story of Nero's being the bride to a freedman named "Doryphorus". Both Tacitus and Dio Cassius mention only "Pythagoras". According to Champlin, it is improbable that a second imperial wedding occurred without being noted, and the simplest solution is that Suetonius mistook the name. [6]