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Loaded language (also known as loaded terms, strong emotive language, high-inference language, language-persuasive techniques, and rhetorical language) is rhetoric used to influence an audience by using words and phrases with strong connotations. This type of language is very often made vague to more effectively invoke an emotional response and ...
Hyperbole ( / haɪˈpɜːrbəli / ⓘ; adj. hyperbolic / ˌhaɪpərˈbɒlɪk / ⓘ) is the use of exaggeration as a rhetorical device or figure of speech. In rhetoric, it is also sometimes known as auxesis (literally 'growth'). In poetry and oratory, it emphasizes, evokes strong feelings, and creates strong impressions. As a figure of speech ...
A literary language is a form of written or spoken language that is used for artistic purposes. Learn about its history, features and examples on Wikipedia.
This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in particular, see Glossary of poetry terms .
An epic poem, or simply an epic, is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants.
e. The grand style (also referred to as 'high style') is a style of rhetoric, notable for its use of figurative language and for its ability to evoke emotion. The term was coined by Matthew Arnold. [1] It is mostly used in longer speeches and can be used, as by Cicero, to influence an audience around a particular belief or ideology.
Contrasted to stylised poetry and grand language, the plain style in written text types flows simply and cohesively without the use of rhetorical devices or disconjunctions. It is also written with a different intent. For example, when used in scientific reports, the plain style seeks to convey data as clearly and concisely as possible.
Cognitive poetics, therefore aimed to describe how poetic language and form is naturally constrained and shaped by various human cognitive processes. It allows for the science of cognition and the literary understanding regarding literary texts to both have significance when conducting any literary analytical process.