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Wabi-sabi concepts historically had extreme importance in the development of Western studio pottery; Bernard Leach (1887–1979) was deeply influenced by Japanese aesthetics and techniques, which is evident in his foundational book A Potter's Book.
The key materials of kintsugi are: ki urushi (pure urushiol-based lacquer), bengara urushi (iron red urushi), mugi urushi (a mixture of 50% ki urushi and 50% wheat flour), sabi urushi (a mixture of ki urushi with two kinds of clay), and a storage compartment referred to as a furo ("bath" in Japanese) where the mended pottery can rest at 90% ...
Influenced by Zen Buddhist traditions, Juko reestablished that the tea ceremony should reflect the concept of wabi-sabi, the belief of emphasizing simplicity, humility, and intense appreciation of the immediate experience. The natural appearance of this pottery helped reflect these principles and fit into the aesthetic of the tea ceremony ...
Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful .
Mishima ware (三島焼) refers to different types of imported and adopted Japanese pottery. Mishima originally refers to the shimamono pottery imported from the islands of Taiwan, Luzon, and "Amakawa" . They were characterized by being roughly-made and often uneven, thus epitomizing the Japanese aesthetic of wabi-sabi.
Wabi-sabi has always been related to tea ceremonies in Japanese culture. It is said that these ceremonies are profound wabi-sabi events. Wabi-sabi is also related to activities such as architecture, fashion, and philosophy. All of these portions of wabi-sabi all share belief in the same theme: all imperfections such as incomplete work holds ...
Old Iga ware, which is known as Ko-Iga, generally reflects wabi-sabi aesthetics with a rustic appearance and purposefully deformed shapes, given extra character by the addition of "ear" lugs (katamimi) and intentional gouges and dents (herame). [1] [5] Many pieces are finished with the classic, glass-like bidoro glaze formed by ash. A number of ...
The style is considered a good example of the wabi-sabi aesthetic, [1] and Karatsu ware bowls, plates, and other implements are often used in tea ceremonies. [6] [7] Pottery in general is often called "Karatsu ware" in Western Japan due to how much pottery was produced in the Karatsu area. [2]
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