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The raising of the son of the widow of Nain (or Naim) [1] is an account of a miracle by Jesus, recorded in the Gospel of Luke chapter 7. Jesus arrived at the village of Nain during the burial ceremony of the son of a widow, and raised the young man from the dead. (Luke 7:11–17) The location is the village of Nain, two miles south of Mount Tabor.
Resurrection of the Widow of Nain's Son. Resurrection of the Widow of Nain's Son is an oil painting on canvas painted by the Italian artist Paolo Veronese, from c. 1565–1570. Initially in Bartolomeo della Nave 's collection, it was acquired in 1659 by Archduke Leopold Wilhelm of Austria and is now in the Kunsthistorisches Museum in Vienna ...
According to Barbara E. Reid (1996), it is significant that Luke adds that it is the father's only daughter, and that the Raising of the son of the widow of Nain narrative (only told in Luke's gospel, 7:11–17) mirrors it exactly by stating that he was the mother's only son. [6]
Rabbi Eliezer ben Hyrcanus, also known as Rabbi Eliezer Hagadol, relates that the son raised by Elijah was none other than the prophet Jonah, most notably associated with the incident involving a giant fish. [2] Commentators have noted verbal parallels with the raising of the son of the widow of Nain in the Gospel of Luke chapter 7. [3]
The Church of the Resurrection of the widow's son is in the central part of the village Na'in, on the northern slope of Mount Moreh (515 m asl) in the Lower Galilee in northern Israel. The exact date of construction has been established between the fourth and fifth centuries. Thus, the town of Nain became a Christian pilgrimage destination, and ...
The raising of the son of the woman of Shunem by Elisha is also similar, including the reaction of the people, and in particular, the location of Nain is very close to Shunem (identified with modern Sulam), giving an example of a repeated pattern in the history of redemption. [12]
Raising of the son of the widow of Nain; In the third (lowest) register, are scenes depicting: Shadrach, Meshach, and Abednego refuse pagan worship; Miracle at the Marriage at Cana; Adoration of the Magi; Adam, Eve, and the Serpent in the Tree of the Knowledge of Good and Evil; Jesus enters Jerusalem
The Marchese Vincenzo Giustiniani commissioned paintings from him, including Christ Healing the Blind and Christ Raising the Son of the Widow of Nain (both of which were ultimately purchased by John Ringling and bequeathed to the John and Mable Ringling Museum of Art upon his death). [1]