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The same image viewed by white, blue, green, and red lights reveals different hidden numbers. Steganography (/ ˌ s t ɛ ɡ ə ˈ n ɒ ɡ r ə f i / ⓘ STEG-ə-NOG-rə-fee) is the practice of representing information within another message or physical object, in such a manner that the presence of the concealed information would not be evident to an unsuspecting person's examination.
Asemic writing is a wordless open semantic form of writing. [2][3][4] The word asemic / eɪˈsiːmɪk / means "having no specific semantic content", or "without the smallest unit of meaning". [5] With the non-specificity of asemic writing there comes a vacuum of meaning, which is left for the reader to fill in and interpret.
Visual rhetoric is the art of effective communication through visual elements such as images, typography, and texts. Visual rhetoric encompasses the skill of visual literacy and the ability to analyze images for their form and meaning. [1] Drawing on techniques from semiotics and rhetorical analysis, visual rhetoric expands on visual literacy ...
In art, appropriation is the use of pre-existing objects or images with little or no transformation applied to them. [1] The use of appropriation has played a significant role in the history of the arts (literary, visual, musical and performing arts). In the visual arts, "to appropriate" means to properly adopt, borrow, recycle or sample ...
The history of writing traces the development of writing systems [ 1 ] and how their use transformed and was transformed by different societies. The use of writing prefigures various social and psychological consequences associated with literacy and literary culture. With each historical invention of writing, true writing systems were preceded ...
Shorthand is an abbreviated symbolic writing method that increases speed and brevity of writing as compared to longhand, a more common method of writing a language. The process of writing in shorthand is called stenography, from the Greek stenos (narrow) and graphein (to write). It has also been called brachygraphy, from Greek brachys (short ...
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word iconography comes from the Greek εἰκών ("image") and γράφειν ...
Graphic communication as the name suggests is communication using graphic elements. These elements include symbols such as glyphs and icons, images such as drawings and photographs, and can include the passive contributions of substrate, colour and surroundings. It is the process of creating, producing, and distributing material incorporating ...
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