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A hanging scroll is one of the many traditional ways to display and exhibit East Asian painting and calligraphy. They are different from handscrolls, which are narrower and designed to be viewed flat on a table. Hanging scrolls are generally intended to be displayed for short periods of time, after which they are rolled up and tied for storage.
Tush kyiz.. Tush kyiz (Kyrgyz: туш кийиз [tuʃ kijíz], туш — side, the edge, кийиз — felt; Kazakh: тұс киіз) are large, elaborately embroidered wall hangings, traditionally made in Kyrgyzstan and Kazakhstan by women to commemorate the marriage of a son or daughter. [1]
Decorative kakemono and ikebana in an onsen hotel. A kakemono (掛物, "hanging thing"), more commonly referred to as a kakejiku (掛軸, "hung scroll"), is a Japanese hanging scroll used to display and exhibit paintings and calligraphy inscriptions and designs mounted usually with silk fabric edges on a flexible backing, so that it can be rolled for storage.
It is a tapestry weave, typically using silk on a small scale compared to European wall hangings. Clothing for the court was one of the primary uses. The density of knots is usually very high, with a gown of the best quality perhaps involving as much work as a much larger European tapestry.
Large needlework hanging with religious scenes; The Överhogdal tapestries - Viking hangings of 1040 to 1170. The Bayeux Tapestry is an embroidered cloth — not an actual tapestry — nearly 70 metres (230 ft) long, which depicts the events leading up to the Norman conquest of England, likely made in England — not Bayeux — in the 1070s
Most Tibetan Buddhist monasteries, temples and other religious structures in the Himalayas were decorated with Tibetan Buddhist wall paintings. Despite much destruction in Tibet itself, many of these survive, the dry climate of the Tibetan plateau assisting their survival, as the wet Indian climate has reduced survival of paintings from there.
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