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Dorothy Parker (née Rothschild; August 22, 1893 – June 7, 1967) was an American poet and writer of fiction, plays and screenplays based in New York; she was known for her caustic wisecracks, and eye for 20th-century urban foibles.
Dorothy Parker (1893–1967), American poet, short story writer, critic and satirist; Maria Pawlikowska-Jasnorzewska (1891–1945), Polish poet; Ruth Pitter (1897–1992), English poet, first woman to receive Queen's Gold Medal for Poetry, in 1955; Esther Raab (1894–1981), Palestinian/Israeli poet and prose writer; Elsa Rautee (1897–1987 ...
The group that would become the Round Table began meeting in June 1919 as the result of a practical joke carried out by theatrical press agent John Peter Toohey.Toohey, annoyed at The New York Times drama critic Alexander Woollcott for refusing to plug one of Toohey's clients (Eugene O'Neill) in his column, organized a luncheon supposedly to welcome Woollcott back from World War I, where he ...
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Read more:Dorothy Parker's Life of Counterpoints The contestant agreed with Jennings' assessment of the famed poet's 20th-century observation, replying, "very." Wallace's fellow competitor, health ...
Fitzpatrick produces the award-winning dorothyparker.com, which he launched in 1998. He is the president of the Dorothy Parker Society, which he founded in 1999. He was also instrumental in the effort to get Dorothy Parker's birthplace in Long Branch, New Jersey, named a National Literary Landmark by Friends of Libraries USA. [4]
"Here We Are" is a short story by American writer Dorothy Parker, first published in Cosmopolitan Magazine on March 31, 1931. The story, written almost entirely as dialogue, describes a tense scene between a newly married couple traveling by train to New York City for the first night of their honeymoon.
Paus' Hate Songs is based on the poem "Women: A Hate Song" published by Parker in Vanity Fair in 1916 [5] and subsequent poems that have been described as "a photo-book of New York with the female caricatures that Parker abhorred or despised, notably idle bourgeois ladies, who were the object of patriarchal worship as angelic domestic creatures ...
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