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Johannes Vermeer (/ v ər ˈ m ɪər, v ər ˈ m ɛər / vər-MEER, vər-MAIR, Dutch: [joːˈɦɑnəs fərˈmeːr]; see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch painter who specialized in domestic interior scenes of middle-class life. He is considered one of the greatest painters of the Dutch Golden Age.
Johannes Vermeer's painting The Guitar Player, stolen from London on February 23, was recovered by Scotland Yard after a caller said that it could be found in the cemetery adjacent to the St Bartholomew-the-Great church at Smithfield, London. The painting, more than 300 years old, was relatively undamaged except for some dampness. [56] [57] Died:
Detail of the painting The Procuress (c. 1656), proposed self portrait by Vermeer [1] The following is a list of paintings by Johannes Vermeer (1632–1675), a Dutch Golden Age painter. After two or three early history paintings, he concentrated almost entirely on genre works, typically interiors with one or two figures. Vermeer's paintings of ...
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Girl Reading a Letter at an Open Window (Dutch: Brieflezend meisje bij het venster), also known as Lady reading at an open window, [1] is an oil painting by Dutch Golden Age painter Johannes Vermeer. Completed in approximately 1657–1659, the painting is on display at the Gemäldegalerie in Dresden , which has held it since 1742.
The Geographer (Dutch: De geograaf) is a painting created by Dutch artist Johannes Vermeer in 1668–1669, and is now in the collection of the Städel museum in Frankfurt, Germany. It is closely related to Vermeer's The Astronomer, for instance using the same model in the same dress, and has sometimes been considered a pendant painting to it. A ...
Its dimensions are 50.5 by 46 cm. It is now one of three pictures by Vermeer in The Frick Collection in New York. [2] [3] Officer and Laughing Girl includes many of the characteristics of Vermeer's style. The main subject is a woman in a yellow dress, light is coming from the left-hand side of the painting from an open window, and there is a ...
Vermeer's signature on the painting had been altered, making it look like Maes'. During a restoration the original signature of J. v. Meer was faintly discernible, though this was ascribed to the Utrecht artist Johannes van der Meet. [7] Vermeer is known to have incorporated other artists' ideas, techniques and the poses in which they depict ...