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A pattern book, or architectural pattern book, is a book of architectural designs, usually providing enough for non-architects to build structures that are copies or significant derivatives of major architect-designed works. A number of pattern books have been very influential in spreading architectural styles.
A Pattern Language: Towns, Buildings, Construction is a 1977 book on architecture, urban design, and community livability.It was authored by Christopher Alexander, Sara Ishikawa and Murray Silverstein of the Center for Environmental Structure of Berkeley, California, with writing credits also to Max Jacobson, Ingrid Fiksdahl-King and Shlomo Angel.
There are also numerous full-page photo illustrations throughout the book, some of which are referenced by the text and some of which are simply an additional visual argument to complement the words. The style used in The Timeless Way of Building is also unusual for an architectural text, at times resembling prose poetry or religious scripture.
For example, the wide implementation of suburban railway networks and motor buses were expected to have proportionately impact the higher increases in periphery land prices. Contrastingly, it is expected that in periods of low innovation within the transport sector land values would have been proportionately higher closer to the city centre. [ 13 ]
A design is the concept of or proposal for an object, process, or system. The word design refers to something that is or has been intentionally created by a thinking agent, and is sometimes used to refer to the inherent nature of something – its design. The verb to design expresses the process of developing a design. In some cases, the direct ...
What would architecture be like if design began from a place not of unlimited imagination and abundance, but rather one of economic and material scarcity? To Combat Climate Change, Architecture ...
Historically, multiple approaches were suggested to address the reflection of the structure in the appearance of the architectural form. In the 19th-century Germany, Karl Friedrich Schinkel suggested that the structural elements shall remain visible in the forms to create a satisfying feeling of strength and security, [3] while Karl Bötticher as part of his "tectonics" suggested splitting the ...
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