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In France aesthetic speculation grew out of the discussion by poets and critics on the relation of modern art; and Boileau in the 17th century, the development of the dispute between the "ancients" and the "moderns" at the end of the 17th century by B. le Bouvier de Fontenelle and Charles Perrault, and the continuation of the discussion as to ...
Carrier received a Ph.D. in philosophy from Columbia University, where he was a student of Arthur Danto, in 1972.He was a Getty Scholar (1999–2000), [3] a Clark Fellow (2004), [4] a Senior Fellow, National Humanities Center, 2006–2007 [5] and holder of the Fulbright-Luce Lectureship, Spring 2009.
Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of aesthetics is the "critical reflection on art, culture and nature". [3] [4] Aesthetics studies natural and artificial sources of experiences and how people form a judgment about those sources of experience.
The philosophy of film is a branch of aesthetics within the discipline of philosophy that seeks to understand the most basic questions about film. Philosophy of film has significant overlap with film theory, a branch of film studies. [1] [2]
Therefore, aesthetics is highly subjective and differs by individual. [6] Aesthetics can also be used as a synonym to define taste or style [3] encapsulating artistic expression and activities such as rhetoric, tone, harmony, painting, composition art and music. [4] Aesthetics also encapsulates the look, feel, or sound of natural forms. [4]
David Jay Bordwell (/ ˈ b ɔːr d w əl /; July 23, 1947 – February 29, 2024) was an American film theorist and film historian. [1] After receiving his PhD from the University of Iowa in 1973, he wrote more than fifteen volumes on the subject of cinema including Narration in the Fiction Film (1985), Ozu and the Poetics of Cinema (1988), Making Meaning (1989), and On the History of Film ...
Lectures on Aesthetics (LA; German: Vorlesungen über die Ästhetik, VÄ) is a compilation of notes from university lectures on aesthetics given by Georg Wilhelm Friedrich Hegel in Heidelberg in 1818 and in Berlin in 1820/21, 1823, 1826 and 1828/29.
His attempt later on to write a history of Christian painting overtasked his strength, and remained unfinished. Hotho is important in the history of aesthetics as having developed Hegel's theories; but he was deficient in knowledge of Italian painting. [1]
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