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  2. Authorial intent - Wikipedia

    en.wikipedia.org/wiki/Authorial_intent

    In literary theory and aesthetics, authorial intent refers to an author's intent as it is encoded in their work. Authorial intentionalism is the hermeneutical view that an author's intentions should constrain the ways in which a text is properly interpreted. [ 1 ]

  3. Philippine literature in English - Wikipedia

    en.wikipedia.org/wiki/Philippine_literature_in...

    However, the beginnings of anything resembling a professional market for writing in English would not be realized until the 1920s with the founding of other newspapers and magazines like the Philippines Herald in 1920, the Philippine Education Magazine in 1924 (renamed Philippine Magazine in 1928), and later the Manila Tribune, the Graphic ...

  4. Motivation - Wikipedia

    en.wikipedia.org/wiki/Motivation

    For example, financial gain is a motive to commit a crime from which the perpetrator would financially benefit, like embezzlement. [161] As a technical term, motive is distinguished from intent. Intent is the mental state of the defendant and belongs to mens rea. A motive is a reason that tempts a person to form an intent.

  5. Focus (linguistics) - Wikipedia

    en.wikipedia.org/wiki/Focus_(linguistics)

    In linguistics, focus (abbreviated FOC) is a grammatical category that conveys which part of the sentence contributes new, non-derivable, or contrastive information. In the English sentence "Mary only insulted BILL", focus is expressed prosodically by a pitch accent on "Bill" which identifies him as the only person whom Mary insulted.

  6. 'Nothing more, nothing less': Writings show wandering path ...

    www.aol.com/nothing-more-nothing-less-writings...

    Learning more about his history could help determine a motive and provide a fuller story for the jury, but prosecutors don’t need to do so to make their case, said Hermann Walz, a former ...

  7. Identification in Burkean rhetoric - Wikipedia

    en.wikipedia.org/wiki/Identification_in_Burkean...

    In particular, the concept of identification can expand our vision of the realm of rhetoric as more than solely agonistic. To be sure, that is the way we have traditionally situated it: “Rhetoric,” writes Burke, “is par excellence the region of the Scramble, of insult and injury, bickering, squabbling, malice and the lie, cloaked malice and the subsidized lie. . . .

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