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The ¥2,000 note (二千円紙幣, nisen-en shihei) is a denomination of Japanese yen, that was first issued on July 19, 2000, to commemorate the 26th G8 Summit and the millennium. [1] The banknote is notable for not being a commemorative banknote under Japanese law, and circulates as a regular issue.
2000 yen note with The Tale of Genji and Murasaki Shikibu on the right corner. This is the current issue. The 2000 yen note was first issued on July 19, 2000, to commemorate the 26th G8 summit in Okinawa and the 2000 millennium year as well. Pictured on the front of the note is Shureimon, a famous gate in Naha, Okinawa near the
The psychology of music, or music psychology, may be regarded as a branch of psychology, cognitive science, neuroscience, and/or musicology. It aims to explain and understand musical behaviour and experience , including the processes through which music is perceived, created, responded to, and incorporated into everyday life.
The psychology of music preference is the study of the psychological factors behind peoples' different music preferences. One study found that after researching through studies from the past 50 years, there are more than 500 functions for music. [ 1 ]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
2000 yen note; 5000 yen note; 10,000 yen note This page was last edited on 9 November 2020, at 23:30 (UTC). Text is available under the Creative Commons ...
Meanwhile, the latest crop of paperbush from Nepal’s Ilam district was sold to Japan for more than 180,000 yen (about $1,114) – meaning a revenue of about 30,000 yen ($185) for each of the six ...
Violating an anticipated structure in music could mean a harmonically unexpected note or chord in a musical sequence. As in language this is associated with a "processing cost due to the tonal distance" (Patel, 2008) and therefore means that more resources are needed for activating low-activation items.