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Concrete and Gold (2017) was the second Foo Fighters album to top the charts in the United States and the first to feature Jaffee, their longtime session and touring keyboardist, as a full member. Their tenth album, Medicine at Midnight (2021), was the last before Hawkins' death in March 2022.
Foo Fighters' ninth album, Concrete and Gold, was released on September 15, 2017 and became the band's second #1 album in the United States. Medicine at Midnight is the tenth studio album by American rock band Foo Fighters. Originally scheduled for 2020, the album was delayed to February 5, 2021 due to the COVID-19 pandemic.
Foo Fighters Songs in the Key of X: Two versions were recorded on the Foo Fighters and Songs in the Key of X sessions, but neither were released [1] "Comfortable" Dave Grohl, Nate Mendel, Pat Smear, and William Goldsmith: Barrett Jones Foo Fighters Songs in the Key of X: Known to be similar to the b side "If Ever" "Dark + Lovely"
Grohl directed the Foo Fighters music videos for "Monkey Wrench" (1997), "My Hero" (1998), "All My Life" (2002), "White Limo" (2011), and "Rope" (2011), as well as all the music videos from the Sonic Highways and Concrete and Gold era. Outside of Foo Fighters, he also filmed the music video for Soundgarden's "By Crooked Steps" (2014).
Since 1995, Dave Grohl and the Foo Fighters have reigned as one of the most commercially successful rock bands in the world, but the project’s auspicious beginnings belie its enduring popularity.
The song's number-one position on the Modern Rock chart, gave the Foo Fighters a record-setting feat by becoming the first act to reach number one on the chart in each of four consecutive years. In the United Kingdom, "Long Road to Ruin" peaked in the top 40 of the UK Singles Chart and number one on the UK Rock Chart.
Foo Fighters welcomed singer/songwriter H.E.R. for a surprise collaboration on 'The Glass' last night (Oct. 28) on 'Saturday Night Live.'
[9] [16] It was the first Foo Fighters album produced with Pro Tools and on which the band members have recorded separately. [11] [17] Chris Shiflett, who was making his studio debut with the Foo Fighters, described the production, which included a discarded version replaced by one done in just two weeks, as "a weird way to make a record." [18]