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The hexatonic, or six-note, blues scale consists of the minor pentatonic scale plus the ♭ 5th degree of the original heptatonic scale. [1] [2] [3] This added note can be spelled as either a ♭ 5 or a ♯ 4. The first known published version of the blues scale, from Aebersold's revised 1970 Volume 1: How to Play Jazz and Improvise Chromatic ...
Blues scale on C. Play ⓘ 1 ♭ 3 4 ♭ 5 ... A free Android app with scales & building chords for the scales; A Study Of Scales This page was last edited on 9 ...
Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk and gospel, the percussive rhythms of jazz, the lyrics of Tin Pan Alley, and the widespread use of amplification and electric ...
The blue notes are usually said to be the lowered third, lowered fifth, and lowered seventh scale degrees. [1] [2] [3] The lowered fifth is also known as the raised fourth. [4] Though the blues scale has "an inherent minor tonality, it is commonly 'forced' over major-key chord changes, resulting in a distinctively dissonant conflict of ...
The blue notes, located on the third, fifth, and seventh notes of a diatonic major scale, are flattened by a variable microtone. [101] Joe Monzo has made a microtonal analysis of the song "Drunken Hearted Man", [ 102 ] written and recorded by the delta blues musician Robert Johnson .
"The number of the notes that make up a scale as well as the quality of the intervals between successive notes of the scale help to give the music of a culture area its peculiar sound quality." [6] "The pitch distances or intervals among the notes of a scale tell us more about the sound of the music than does the mere number of tones." [7]
The blues scale is so named for its use of blue notes. Since blue notes are alternate inflections, strictly speaking there can be no one blues scale, [8] but the scale most commonly called "the blues scale" comprises the minor pentatonic scale and an additional flat 5th scale degree: C E ♭ F G ♭ G B ♭ C. [9] [10] [11]
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
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