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Claude Joseph Vernet was considered the leading French artist of his time in his genre, marine art and landscape painting.He came from a family of French painters: he was the son of a decorative painter, and his son Antoine-Charles-Horace Vernet, Carle Vernet (1758–1836), and his grandson Horace Vernet (1789–1863) were known as military painters.
Light and Colour (Goethe's Theory) – The Morning after the Deluge – Moses Writing the Book of Genesis: 1843 Tate Britain, London: 78.7 x W 78.7 The Evening of the Deluge c. 1843 National Gallery of Art, Washington, D.C. 76 x 76 Lake Lucerne: the Bay of Uri from above Brunnen 1844 Tate Britain, London: 72.7 x 98.3 Heidelberg 1844-5 Tate ...
The paintings of Four Times of the Day (clockwise from top left: Morning, Noon, Night, and Evening) Four Times of the Day is a series of four oil paintings by English artist William Hogarth. They were completed in 1736 and in 1738 were reproduced and published as a series of four engravings. They are humorous depictions of life in the streets ...
The Evening: Strasbourg Museum of Modern and Contemporary Art 500 More images: Antibes. Matin: 1914 Antibes Morning: National Museum, Warsaw 501 More images: Juan-les-Pins. Soir: 1914 Juan-les-Pins. Evening: 502 More images: La Rochelle. Le bassin à flots (n°1) 1915 La Rochelle The Water Basin 1: Musée des Beaux-Arts de Nancy 505 More images ...
Evening: Landscape with an Aqueduct is an 1818 landscape painting by the French artist Théodore Géricault. [ 1 ] [ 2 ] [ 3 ] It was one of three monumental landscapes showing various times of the day (a planned fourth was not produced).
A similar painting, dated 1646, is in the collection of the Cleveland Museum of Art. Slive writes that the Queen's version shows how much young Ruisdael has progressed in just a few years. The farm and windmill are more set back and reflections of evening light create a freer sense of space. [3]
In the painting, the medieval city is viewed looking east with the dark waters of Riddarfjärden in the foreground and the interior of the Stockholm archipelago in the background. Although the event depicted is said to have occurred in the morning, the city is painted in evening light.
When Monet painted the Rouen Cathedral series, he had long since been impressed with the way light imparts to a subject a distinctly different character at different times of the day and the year and as atmospheric conditions change. For Monet, the effects of light on a subject became as important as the subject itself.