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The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the Nativity or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and
The Cross on which Jesus was crucified , either depicted alone or with the crosses of the two thieves; The Crown of Thorns; The pillar or column where Jesus was whipped in the Flagellation of Christ; The whip(s), in Germany often birches, used for the 39 lashes; The Holy Sponge set on a reed, with which gall and vinegar were offered to Jesus
The Taking of Christ (Italian: Presa di Cristo nell'orto or Cattura di Cristo) is a painting, of the arrest of Jesus, by the Italian Baroque master Michelangelo Merisi da Caravaggio. Originally commissioned by the Roman nobleman Ciriaco Mattei in 1602, it is housed in the National Gallery of Ireland, Dublin.
With the world's annual celebration of his birth mere weeks away, it turns out one of the most revered figures who ever walked the Earth likely didn't look like the pictures of him.
The Nativity or birth of Jesus Christ is found in the biblical gospels of Matthew and Luke.The two accounts agree that Jesus was born in Bethlehem, in Roman-controlled Judea, that his mother, Mary, was engaged to a man named Joseph, who was descended from King David and was not his biological father, and that his birth was caused by divine intervention.
The Celtic cross has nevertheless been repeated in statuary, as a dominant feature of the anthropogenic Irish landscape, for at least 5,000 years. The Celtic cross and the Christian cross are similar enough in shape, that the former was easily adopted by Irish Catholic culture, following the Christianization of Ireland. The Celtic cross is ...
Father Issa Thaljieh, a 40-year-old Greek Orthodox parish priest at the Church of the Nativity in Bethlehem, kneels at the spot where tradition says Jesus was born.
Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...