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The camera offers full 1080 and 720 HD, native 1080/24p recording, variable frame rates, professional audio capabilities, and compatibility with SDHC and SDXC media. The design of the AF100’s 4/3" type sensor affords depth of field and field of view similar to that of 35mm movie cameras in a less expensive camera body.
The Serial Copy Management System (SCMS) is a copy protection scheme that was created in response to the digital audio tape (DAT) invention, in order to prevent DAT recorders from making second-generation or serial copies. SCMS sets a "copy" bit in all copies, which prevents anyone from making further copies of those first copies.
MII is a professional analog recording videocassette format developed by Panasonic in 1986 in competition with Sony's Betacam SP format. It was technically similar to Betacam SP, using metal-formulated tape loaded in the cassette, and utilizing component video recording.
The first Sony camcorder capable of recording to standard 8mm videotape was the Sony CCD-V8, with 6x zoom but only manual focus, released in 1985 with an MSRP of approximately $1,175, [8] ($3,329 in 2023) and a mass of 1.97 kg (4 lb 5½ oz).
A key component was a single camera-recorder unit, eliminating a cable between the camera and recorder and increasing the camera operator's freedom. The Betacam used the same cassette format (0.5 inches or 1.3 centimetres tape) as the Betamax, but with a different, incompatible recording format. It became standard equipment for broadcast news. [4]
Digital audio recorders are fundamentally high bit-rate data recorders storing PCM encoded audio data. The main advantage of any digital recording medium is that of consistent, flat frequency response, high dynamic range audio reproduction compared to analog tape recorders, which is why some of the first uses of digital audio recording were for ...
The Digital8 format is a combination of the earlier analog Hi8 tape transport with the digital DV codec. Digital8 equipment uses the same videocassettes as analog recording Hi8 equipment, but the signal is encoded digitally using the industry-standard DV codec, which means it has identical digital audio and digital video specifications compared ...
A sound follower to the left of a shadow telecine in the center of the image. Many motion picture cameras do not record audio sound on the film, so in professional film production, there is a need to have the sound recorded and played back on a device that has a double-system recording to tapes, or by any means, for example DAT or Nagra, SD or other audio recording media and then transferred ...