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2. Seaview SVII - Wikipedia

   en.wikipedia.org/wiki/Seaview_SVII

   The Seaview SVII is an underwater camera designed by the Catlin Seaview Survey team, intended to photograph coral reefs to provide visual documentation of a reef's health. . The camera is designed to be controlled by a diver in shallow waters, and is propelled at a constant slow speed by a propeller mounted near the rear of the cam

3. Underwater photography - Wikipedia

   en.wikipedia.org/wiki/Underwater_photography

   Underwater housings for smartphones are available with a variety of depth ratings and features. These can be less expensive than dedicated underwater photography cameras. The simplest form is a waterproof pouch, best used for shallow-water photography. [6] Some smartphone housings are limited by operating system.

4. Underwater vision - Wikipedia

   en.wikipedia.org/wiki/Underwater_vision

   The standard measurement for underwater visibility is the distance at which a Secchi disc can be seen. The range of underwater vision is usually limited by turbidity. In very clear water visibility may extend as far as about 80m, [18] and a record Secchi depth of 79 m has been reported from a coastal polynya of the Eastern Weddell Sea ...

5. Nikonos - Wikipedia

   en.wikipedia.org/wiki/Nikonos

   Nikonos RS (1992) waterproof to 320 ft (100m) [21] (World's first underwater Auto-Focus SLR camera) [2] The 1992 Nikonos RS introduced an entirely new concept. Unlike its predecessors, the RS was a complete amphibious single lens reflex camera, with auto-focus, waterproof to 100 m (330 ft) and its own set of unique lenses that also utilized ...

6. These Helmet Cameras Capture Your Rides and Provide a Little ...

   www.aol.com/helmet-cameras-keeping-safe...

   Best Small Action Camera: Insta360 Go 3. Best Cube Camera System: DJI Action 2. Best Image Stabilization: GoPro Hero 12 Black. Best for Vlogging and Live Streaming: GoPro Max. Best 4K Action ...

7. Underwater videography - Wikipedia

   en.wikipedia.org/wiki/Underwater_videography

   Large unwieldy lighting systems were problematic to early underwater videography. And last, underwater objects viewed from an airspace with a flat window, such as the eye inside a mask or the camera inside a housing, appear to be about 25% larger than they are. The photographer needs to move farther back to get the subject into the field of view.