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A comic book, also known as a comic or floppy, is a periodical, normally thin in size and stapled together. [41] Comic books have a greater variety of units of encapsulation than comic strips, including the panel, the page, the spread, and inset panels. They are also capable of more sophisticated layouts and compositions. [40]
As a guest at the first airing of the Playboy's Penthouse show in 1959, Lenny Bruce objected to a Time article indiscriminately grouping seven new comedians, labeling them as "sick comics". [2] These were Lenny Bruce , political satirist Mort Sahl , Shelley Berman , Jonathan Winters , Mike Nichols and Elaine May , and Tom Lehrer .) [ 3 ]
The term comics refers to the comics medium when used as an uncountable noun and thus takes the singular: "comics is a medium" rather than "comics are a medium". When comic appears as a countable noun it refers to instances of the medium, such as individual comic strips or comic books: "Tom's comics are in the basement." [129]
The Lexicon of Comicana is a 1980 book by the American cartoonist Mort Walker.It was intended as a tongue-in-cheek look at the devices used by comics cartoonists.In it, Walker invented an international set of symbols called symbolia after researching cartoons around the world (described by the term comicana).
Shock humour is a style of comedy intended to shock the audience. This can be achieved through excessively foul toilet humour, overt sexual themes, mocking of serious themes (otherwise known as black comedy), or through tactlessness in the aftermath of a crisis.
Cringe comedy is a subgenre of comedy that derives humor from social awkwardness, guilty pleasure, self-deprecation, idiosyncratic humor, and personal distress. [1] A type of a cringe comedy are pseudo-reality TV shows, sometimes with an air of a mockumentary.
Pluggers is a comic panel created by Jeff MacNelly (creator of Shoe) in 1993 that relies on reader submissions (referred to as "Pluggerisms") for the premise of each day's panel. In the context of this strip, "pluggers" are defined as rural, blue-collar workers who live a typical working-class American lifestyle, accompanied by a mentality ...
Tina’s imperfections, if she has any, are of the kind that are quirky, and therefore endearing. This is good for a cartoon character. I believe the main character of a comic strip should be one that’s likable. But does that mean the main character should be flawless? It’s the weaknesses, or fixations, that make characters interesting.