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In 2004 he was able to discover his true passion, [3] namely pebble mosaic art [4] establishing an innovative approach through bold usage of Maori and Polynesian motifs so common to his adopted country of New Zealand. [5] "John Botica became interested in pebble mosaics when his uncle gave him a book on the subject.
Makapansgat pebble. The Makapansgat pebble or Makapansgat cobble (ca. 3,000,000 BP) is a pebble with natural chipping and wear patterns that make it look like a crude rendition of a human face, in fact at least two possible faces. [1] Some scholars argue that it is the oldest known manuport. [1] [2] [3] [4]
Uli (Uri) are the curvilinear traditional designs drawn by the Igbo people of southeastern Nigeria. These designs are generally abstract, consisting of linear forms and geometric shapes, though there are some representational elements. Traditionally, these are either stained onto the body or painted onto the sides of buildings as murals. [1]
Prehistoric painted pebbles are found from two unrelated cultures in Europe: The Epipalaeolithic Azilian (sometimes called the "Painted Pebble culture") of north Spain and southern France, some 14,000 to 10,000 years ago
Scottish painted pebbles have been dated to the period 200 AD to the eighth century AD, the Pictish period. They may have been sling-stones that were thought to be of magical nature by the Picts; however, local traditions suggest that they were "charm-stones", often known as "cold-stones". Such stones were used within living memory to cure ...
Cook Entering Kealakekua Bay, January 1779, oil on canvas painting by Herb Kawainui Kane, 1994, Isaacs Art Center. Daniel Inouye, United States Senator from Hawaiʻi, stated that Kāne's artwork "captured both ancient and modern-day Hawaiʻi and helped preserve Hawaiʻi's unique culture for future generations."
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The mosaics in the Dome of the Rock in Jerusalem show the influence of Byzantine designs. Some Western art historians have dismissed or overlooked Byzantine art in general. For example, the deeply influential painter and historian Giorgio Vasari defined the Renaissance as a rejection of "that clumsy Greek style" ("quella greca goffa maniera"). [20]
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