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An iconic Gibson Girl portrait by its creator, Charles Dana Gibson, circa 1891 The Gibson Girl was the personification of the feminine ideal of physical attractiveness as portrayed by the pen-and-ink illustrations of artist Charles Dana Gibson during a 20-year period that spanned the late 19th and early 20th centuries in the United States. [1]
A figure drawing is a drawing of the human form in any of its various shapes and postures, using any drawing media. The term can also refer to the act of producing such a drawing . The degree of representation may range from highly detailed, anatomically correct renderings to loose and expressive sketches.
Women in Ancient Greece wore himations; and in Ancient Rome women wore the palla, a rectangular mantle, and the maphorion. [ 54 ] The typical feminine outfit of aristocratic women of the Renaissance was an undershirt with a gown and a high-waisted overgown, and a plucked forehead and beehive or turban-style hairdo.
This view of communication promoted a "deficiency model" asserting that characteristics of speech associated with women were negative and that men "set the standard for competent interpersonal communication", which influences the type of language used by men and women. These early theories also suggested that ethnicity, cultural and economic ...
The word female comes from the Latin femella, the diminutive form of femina, meaning "woman", by way of the Old French femelle. [7] It is not etymologically related to the word male, but in the late 14th century the English spelling was altered to parallel that of male. [7] [8] It has been used as both noun and adjective since the 14th century. [7]
The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and ...
Gu Kaizhi’s handscroll Exemplary Women (lie nü tu) which was created shortly after the Han dynasty represents this genre. In the Tang dynasty (618–906), palace women (shi nü) performing daily chores or entertainment became a popular subject. The feminine beauty and charm of the palace ladies were valued, but the subject remained ...
In addition, women were rarely allowed entry into schools of art and almost never allowed into live nude drawing classes for fear of impropriety. [4] Women who were artists were likely either wealthy women with leisure time who were trained by their fathers or uncles and produced still lives , landscapes , or portrait work or became one of many ...