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The essays seek to understand and explain the relatively new movement of nonrepresentational art and defend these pioneering artists attempting to escape from the embraced realism and romanticism movements. [1] The dehumanization of art refers to the removal of human elements from these works, eliminating the content, but keeping the form.
Racist dehumanization entails that groups and individuals are understood as less than fully human by virtue of their race. [58] Dehumanization often occurs as a result of intergroup conflict. Ethnic and racial others are often represented as animals in popular culture and scholarship.
Vasudeva Sharan Agrawala, also Vasudeva Saran Agrawala, (1904–1966), was an Indian scholar of cultural history, Sanskrit and Hindi literature, numismatics, museology, and art history. [2] He received the Sahitya Akademi Award in the Hindi language in 1956 for his prose commentary Padmavat Sanjivani Vyakhya . [ 5 ]
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Rehumanization is the process by which one reverses the damage done by dehumanization.That is, in individuals or groups, the process of rehabilitating one’s way of perceiving the other(s) in question in one’s mind and in consequent behavior.
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From the belief in a universal moral core of humanity, it followed that all persons were inherently free and equal. For liberal humanists such as Immanuel Kant, the universal law of reason was a guide towards total emancipation from any kind of tyranny. [5] Criticism of humanism as over-idealistic began in the 19th century.
In times when art can become a play-thing of drawing rooms and auction halls, he kept it close to its springs-his human sensibility." While the reputed art historian R. Siva Kumar in the essay entitled Somnath Hore : A Reclusive Socialist and a Modernist Artist wrote, "We do not choose suffering, and we do not choose heroism. But suffering ...