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Cù Huy Cận (31 May 1919 – 19 February 2005) was a Vietnamese poet, a close confidante of Ho Chi Minh, and signed Vietnam’s Declaration of Independence as Cabinet minister in the first Government of the Democratic Republic of Vietnam, and held many senior leadership positions in the Vietnamese government between 1946 and 1987.
Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
His life-long friend Huy Cận was said to have demanded that the funeral be postponed until he could come back from Dakar, Senegal; [22] to his dismay, the funeral was carried out soon after and was attended by a lot of Vietnamese artists at the time, [23] including Xuân Diệu's ex-wife Bạch Diệp and composer Văn Cao, whom he had ...
Francis Nguyễn Trọng Trí, penname Hàn Mặc Tử (September 22, 1912 – November 11, 1940), was a Vietnamese poet.He was the most celebrated Vietnamese Catholic literary figure during the colonial era.
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Ao Run (敖闰) or Ao Ji (敖吉), is the Dragon King of the West Sea (西海龙王, Xīhǎi Lóngwáng) and one of the Dragon Kings of the Four Seas in Chinese religion and Korean mythology. [1] As an important belief in Chinese folk religion, Four Dragon King Temples are built around the place to worship the Dragon Kings.
Nguyễn Khắc Hiếu (阮克孝), pen name Tản Đà (chữ Hán: 傘沱, 19 May 1889 – 7 June 1939) was a Vietnamese poet. [1]He used both traditional Sino-Vietnamese forms and European influences and was a transitional figure between the turn of the 1890s such as Tú Xương and Nguyễn Khuyến and the "New Poetry" movement of the 1930s.
Chế Lan Viên was associated with the Bình Định Group of poets, whose other members were Quách Tấn, Hàn Mặc Tử, and Yến Lan.The preface to his first collection, Điêu Tàn, was also a statement of the aesthetics of the "Disordered" (Loạn), also known as "Mad" (Điên), school of poetry. [2]