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Gage Averill of New York University concluded that overall the work is "remarkable and readable", although it is "uneven in places". [4]John Charles Chasteen of the University of North Carolina at Chapel Hill praised the book for being "lucid" and reflecting the author's knowledge of the subject.
The 1960s signal the immense spread of bachata music—the decade saw the birth of the Dominican music industry and of the bachata music which would dominate it. Following Trujillo's death and end of his dictatorship in 1961, there was an opening for bachata music within the music industry amidst the loosened restrictions. [11]
Bachata originates from bolero and son (and later, from the mid-1980s, merengue). The original term used to name the genre was amargue ("bitterness", "bitter music"), until the mood-neutral term bachata became popular. The form of dance, bachata, also developed with the music. [2] Bachata arose in the poor and working class areas of the country.
From the late 1990s, dancers in the Western world started creating novel dance forms inspired by bachata music. The most well-known example of this is the made-up basic step commonly referred to as the "side-to-side step", which is sometimes accompanied by an exaggerated "pop” of the hips during the tap.
Traditional bachata is a subgenre of Bachata music genre. It refers to the acoustic style of bachata that was popular in the Dominican Republic from the 1960s until about 1990. For most of that period, bachata was performed with two nylon string guitars (often with fishing line for string), an acoustic upright bass or marimbula, maracas, and ...
Bachatango (often classed as a sensual form of modern bachata) is a style of dance that fuses the four-step Dominican bachata with Argentine tango moves, including elaborated kicks, dips, turns, ganchos, leg wraps and long pauses. The dance is characterized by sensual hip and body movements.
More precisely, choreomusicology grew out of Euro-American performance traditions that considered musical composition and dance choreography as separate specialties. Not all performance genres separate music and dance into separate theoretical categories. The directionality of the relationship between sound and movement is not always fixed. [3]
Dance theory is the philosophy underpinning contemporary dance, including formal ideologies, aesthetic concepts, and technical attributes. [1] It is a fairly new field of study, developing largely in the 20th century. It can be considered a branch of expression theory [2] and is closely related to music theory and specifically musicality. [3]