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Medieval Muslim artists found various ways to represent especially sensitive figures such as Muhammad. He is sometimes shown with a fiery halo hiding his face, head, or whole body, and from about 1500 is often shown with a veiled face. [38] Members of his immediate family and other prophets may be treated in the same way.
The Quran, the Islamic holy book, does not explicitly prohibit the depiction of human figures; it merely condemns idolatry (e.g.: 5:92, 21:52). Interdictions of figurative representation are present in the Hadith, among a dozen of the hadith recorded during the latter part of the period when they were being written down.
The paintings in The Holy Sinner: Sadequain, represent various themes such as man's struggle against natural odds, mother and child, still life figures from the early life of the artist and many others. The centerpiece of the book is its treatment of the famous mural by Sadequain commissioned for the State Bank of Pakistan.
Islamic artists incorporated significant components of the classical past to invent a new form of decoration that highlighted the vitality of order and unity. Islamic astronomers, mathematicians and scientists contributed these forms, which were crucial for their type of art style. [18] History And Design
For a long time, Islamic art from outside the Persianate world was considered aniconic in academic research. Known pictures including human figures from the mileu of Muslim courts have been described as an "aberration" by the early 20th-century writer Sir Thomas Arnold (d. 1930).
Islamic calligraphy in the form of painting or sculptures is sometimes referred to as Quranic art. [15] The various forms of traditional Arabic calligraphy and decoration of the manuscripts used for written versions of the Qur'an represent a central tradition of Islamic visual art.
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The film is narrated by Susan Sarandon, [10] informs its audience about Islamic art, from ornamented palaces and mosques to ceramics, carved boxes, paintings and metal work. It compares the artistic heritages of the West and East. The film also examines Islamic calligraphy and the use of water as an artform. [9]