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The range included one small tube-driven bass amp, the Bassman 20. There were also some solid-state amplifiers using the II moniker, such as the Harvard Reverb II. Other solid-state amps produced during the Rivera era included the Yale Reverb, Studio Lead, Stage Lead, London Reverb, Montreux, and a solid-state issue of the Showman.
The Hot Rod DeVille is a modified version of the earlier Fender Blues DeVille from the Blues amplifier line and has a higher level of gain in its preamplification signal. The DeVille incorporates a 60 watt amplifier and has been offered in two different models: a 212, with 2, 12-inch speakers and a 410, with 4, 10-inch speakers. The 410 ...
A hybrid amplifier involves one of two combinations of tube and solid-state amplification. It may have a tube power amp fed by a solid-state pre-amp circuit, as in most of the original MusicMan amplifiers. Alternatively, a tube preamplifier can feed a solid-state output stage, as in models from Kustom, Hartke, SWR, and Vox. This approach ...
The SG line consisted of "hybrid" designs (solid-state preamp, tube power amp) for guitar and bass amplification and "all-transistor" amplifiers (self-powered monitors and powered mixers). The amplifiers were most likely developed using Standel resources in coalition with Randall's head design engineer Gary Sunda.
The circuit used is commonly known as the AB763 circuit. Fender Twin Reverb amplifiers use four output tubes, of the 6L6GC type. [9] They use six preamp tubes, consisting of four 7025/12AX7 types [10] and two 12AT7 types. All Twin Reverbs feature a solid-state rectifier. [11] The Fender Twin Reverb has two independent channels, labeled Normal ...
The amplifiers featured solid-state circuitry instead of vacuum tube-based designs so common in the 1960s. Ross, Inc. operated in a factory in Chanute, Kansas. The company produced several models of guitar amplifiers, bass amplifiers, organ amplifiers, Guitars, Basses, and keyboards and P.A. systems.
The amp featured an option known as "Jumping" where the High-Normal channel could be linked to the Low-Top Boost channel with a patch lead, whilst the guitar is plugged into the High-Top Boost channel, allowing both channels to sound and create a fuller, thicker overdrive sound. The amp also featured a solid-state rectifier to increase reliability.
Amplifier modeling (also known as amp modeling or amp emulation) is the process of emulating a physical amplifier such as a guitar amplifier.Amplifier modeling often seeks to recreate the sound of one or more specific models of vacuum tube amplifiers and sometimes also solid state amplifiers.
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