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Tablet weaving dates back at least to the 8th century BCE in early Iron Age Europe [1] where it is found in areas employing the warp-weighted loom. [2] Historically the technique served several purposes: to create starting and/or selvedge bands for larger textiles such as those produced on the warp-weighted loom; to weave decorative bands onto ...
The shed, the triangular aperture on the far right, shown from the back of a table loom Passing the shuttle through the shed The shed shown in tablet weaving. In weaving, the shed is the temporary separation between upper and lower warp yarns through which the weft is woven. The shed is created to make it easy to interlace the weft into the ...
A reed with 5 dents per inch, separate from the loom. Handweaving looms (including floor and table looms) use interchangeable reeds, where the reeds can vary in width and dents per inch. This allows the same loom to be used for making both very fine and very coarse fabric, as well as weaving threads at dramatically different densities. [10]
A table-top inkle loom was patented by Mr. Gilmore of Stockton, CA in the 1930s but inkle looms and weaving predate this by centuries. Inkle weaving was referred to 3 times in Shakespeare: in Love's Labour's Lost (Act III, Scene I), Pericles, Prince of Tyre (Act V), and in The Winter's Tale (Act IV, Scene IV). [6]
It was a frame loom, equipped with treadles to lift the warp threads, leaving the weaver's hands free to pass and beat the weft thread. [48] A pit loom has a pit for the treadles, reducing the stress transmitted through the much shorter frame. [49] In a wooden vertical-shaft loom, the heddles are fixed in place in the shaft.
The original hand-loom was limited in width by the weaver's reach, because of the need to throw the shuttle from hand to hand. The invention of the flying shuttle with its fly cord and picking sticks enabled the weaver to pass the shuttle from a box at either side of the loom with one hand, and across a greater width.
The warp tension needed on a loom is roughly proportional to yarn diameter, and loom weights must be positioned in an even, level row, with all the threads hanging nearly straight down, for smooth weaving. This means that the shape of a loom weight limits a loom to certain thread counts, and the mass of the loom weight is related to the yarn ...
The first prototype of a Jacquard-type loom was made in the second half of the 15th century by an Italian weaver from Calabria, Jean le Calabrais, who was invited to Lyon by Louis XI. [11] [12] He introduced a new kind of machine which was able to work the yarns faster and more precisely. Over the years, improvements to the loom were ongoing. [13]