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Concerto for tenor saxophone and orchestra (1992)—Eric Ewazen; Concerto for tenor saxophone and orchestra with piano obbligato (2007)—David DeBoor Canfield "Graffiti Play", concerto for Tenor Saxophone, contemporary Jazz Trio (ts, bs, drs) & chamber orchestra (2014)—Esa Pietilä; Concerto for tenor saxophone and small orchestra (2015 ...
The tenor saxophone became best known to the general public through its frequent use in jazz music. It was the pioneering genius of Coleman Hawkins in the 1930s that lifted the tenor saxophone from its traditional role of adding weight to the ensemble and established it as a highly effective melody instrument in its own right. Many innovative ...
Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
"Charlestonette" is a 1925 jazz composition by jazz musician and bandleader Paul Whiteman and Fred Rose. The song was released as a 78 single by Paul Whiteman and His Orchestra. The song was released as a 78 single by Paul Whiteman and His Orchestra.
Plas John Johnson Jr. (/ p l æ z /) (born July 21, 1931) [1] is an American soul-jazz and hard bop tenor saxophonist, probably most widely known as the tenor saxophone soloist on Henry Mancini’s "The Pink Panther Theme". He also performs on alto and baritone sax as well as various flutes and clarinets.
The saxophone was introduced into the concert band, which usually calls for an E ♭ alto saxophone, a B ♭ tenor saxophone, and an E ♭ baritone saxophone. A concert band may include two altos, one tenor, and one baritone. A B ♭ soprano saxophone is also sometimes used, and is played by the first alto saxophonist.
Jazz producer Norman Granz, who had been a social activist himself, made arrangements for the star-studded Philharmonic band to play an engagement at Houston's Music Hall on October 5, 1955. Jacquet played saxophone, accompanying Ella Fitzgerald, Dizzy Gillespie, Oscar Peterson, and Buddy Rich. Granz and Jacquet collaborated to eliminate Jim ...
Sheets of sound was a term coined in 1958 by DownBeat magazine jazz critic Ira Gitler to describe the new, unique improvisational style of John Coltrane. [1] [2] Gitler first used the term on the liner notes for Soultrane (1958). [3]
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