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Synesthesia is a neurologically based phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. There are many occurrences of synesthesia in books, television and film.
Synesthesia is a neurological condition in which one or more sensory modalities become linked. However, for over a century, synesthesia has also been the artistic and poetic devices that try to connect the senses. Not all depictions of synesthesia in the fictional works are accurate.
Psychologists and neuroscientists study synesthesia not only for its inherent appeal but also for the insights it may give into cognitive and perceptual processes that occur in synesthetes and non-synesthetes alike. Synesthesia is now the topic of scientific books and papers, Ph.D. theses, documentary films, and even novels. [citation needed]
Synesthesia is not uncommon; it's estimated that about one of every 25 people (4%) have some form of it. Since to them this is the normal way they perceive the world, they may not mention it ...
In the second part of the book, entitled "Essays on the Primacy of Emotion", Cytowic presents a number of his reflections on what the phenomenon of synesthesia means for traditional neuroscientific and neurological practice, how anomalous findings can lead to major scientific discoveries, and the role that emotion plays in our understanding of ...
Whether this is an actually synesthesia, or simply reflects metaphorical speech, is debated. [5] [6] A similar example appears in Leibniz's New Essays on Human Understanding (written in 1704, but not published until 1764); indeed given that the New Essays is intended as a rebuttal to Locke, it may even have been the same individual.
Wednesday Is Indigo Blue: Discovering the Brain of Synesthesia is a 2009 non-fiction book written by Richard Cytowic and David Eagleman documenting the current scientific understanding of synesthesia, a perceptual condition where an experience of one sense (such as sight) causes an automatic and involuntary experience in another sense (such as hearing). [1]
It has been suggested that, in the tradition of Romantic poetry, the sensory transfer consisting in the synaesthesic metaphor tends to be from a lower (less differentiated) sense to a higher sense.