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Consider a pair of spectacles to correct for myopia with a prescription of −1.00 m −1 in one eye and −4.00 m −1 in the other. Suppose that for both eyes the other parameters are identical, namely t = 1 mm = 0.001 m, n = 1.6, P = 5 m −1 , and h = 15 mm = 0.015 m.
It is a common belief that squinting worsens eyesight. However, according to Robert MacLaren, a professor of ophthalmology at the University of Oxford, this is nothing more than an old wives' tale: the only damage that can be caused by squinting for long periods is a temporary headache due to prolonged contraction of the facial muscles. [5]
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
My heart and my eye have reached a mutually beneficial understanding. When my eye yearns for the sight of my beloved, or when my heart is pining, then my eye shares the sight of my beloved (seen in a painting) with my heart. At other times, my heart will share with my eye (in imagination) some memory or thought of the beloved.
Added tone chord notation is useful with seventh chords to indicate partial extended chords, for example, C 7add 13, which indicates that the 13th is added to the 7th, but without the 9th and 11th. The use of 2, 4, and 6 rather than 9, 11, and 13 indicates that the chord does not include a seventh unless explicitly specified.
To avoid double vision, the brain may adapt by ignoring one eye. In this case, often no noticeable symptoms are seen other than a minor loss of depth perception. This deficit may not be noticeable in someone who has had strabismus since birth or early childhood, as they have likely learned to judge depth and distances using monocular cues.
[9] While 46 focuses on the "war" between the heart and the eyes, 47 begins with the line "Betwixt mine eye and heart a league is took", suggesting that a truce has been made and the war has come to an end. The third quatrain and couplet from Sonnet 47 emphasize the equality of heart and eye, suggesting that they are complementary.
More tunings of the minor chord are also available in various equal temperaments other than 12-TET. Rather than directly from the harmonic series, Sorge derived the minor chord from joining two major triads; for example the A minor triad being the confluence of the F and C major triads. [13] A–C–E = F–A–C–E–G. Given justly tuned ...
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