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William Henry Mauldin (/ ˈ m ɔː l d ən /; October 29, 1921 – January 22, 2003) was an American editorial cartoonist who won two Pulitzer Prizes for his work. He was most famous for his World War II cartoons depicting American soldiers, as represented by the archetypal characters Willie and Joe, two weary and bedraggled infantry troopers who stoically endure the difficulties and dangers ...
In most cartoons, they were shown in the rain, mud, and other dire conditions, while they contemplated the whole situation. [3] In the early cartoons, depicting stateside military life in barracks and training camps, Willie was a hook-nosed, smart-mouthed Chocktaw Indian, while Joe was his red-necked straight man. But over time, the two became ...
As an example of nation's efforts to document war events, official Japanese war artists were commissioned to create artwork in the context of a specific war for the Japanese government, including sensō sakusen kirokuga ("war campaign documentary painting"). Between 1937 and 1945, approximately 200 pictures depicting Japan's military campaigns ...
Animated cartoons allowed the government to spread their message in a much more entertaining manner. Bugs Bunny Bond Rally is a classic cartoon depicting Bugs Bunny singing and dancing about war bonds. The film was given to Henry Morgenthau of the U.S. Treasury Department on Monday, December 15, 1941. [2]
He showed it at film festivals, college campuses during the U.S. presidential election year in 1968, and personally gave away copies of the film to whomever was interested. The first film festival it was screened at a Los Angeles art house called the Cinema Theatre, proving the film so popular that it was screened three times there. The film ...
Cartoon featuring Popeye delivering spinach to Great Britain while avoiding a Nazi submarine. YouTube: United States The Spirit of '43: Jack King: Disney cartoon. YouTube: United States Take Heed Mr. Tojo: James Culhane (uncredited) Anti-Japanese cartoon. IA: United States They Stooge to Conga: Del Lord: Comedy with the Three Stooges. United ...
The films depicting the Japanese enemy during World War II tended both to identify a formidable wartime adversary and to depict the adversary as inferior to his American counterparts. In cartoons, this translated to a tendency to depict the Japanese as either superman or buffoon. This film more closely represents the latter tendency. [3]
The works were exhibited at the Newseum in Washington, D.C., [5] the Cartoon Art Museum in San Francisco, the ToonSeum in Pittsburgh, New York City's Museum of Comic and Cartoon Art (MoCCA) [6] and the Society of Illustrators in New York City.