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In music, tension is the anticipation music creates in a listener's mind for relaxation or release. For example, tension may be produced through reiteration , increase in dynamic level , gradual motion to a higher or lower pitch , or (partial) syncopations between consonance and dissonance .
The first two, the "dependency locality theory" and the "expectancy theory" refer to syntactic processing in language, whereas the third one, the "tonal pitch space theory", relates to the syntactic processing in music. The language theories contribute to the concept that in order to conceive the structure of a sentence, resources are consumed.
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
where is the tension (in Newtons), is the linear density (that is, the mass per unit length), and is the length of the vibrating part of the string. Therefore: the shorter the string, the higher the frequency of the fundamental; the higher the tension, the higher the frequency of the fundamental
The equation was first proposed by French mathematician and music theorist Marin Mersenne in his 1636 work Harmonie universelle. [2] Mersenne's laws govern the construction and operation of string instruments, such as pianos and harps, which must accommodate the total tension force required to keep the strings at the proper pitch.
When Vice President Kamala Harris arrives at the Capitol on Friday to swear-in the new class of Senators, many of the smiling politicians handing her their family Bibles will be the same ones who ...
By embracing Bill Belichick's plan for North Carolina, the Tar Heels show they're willing to go 'all-in' on football. We'll see how it goes.
The dominant seventh (V7) chord G7=(G,B,D,F) increases the tension with the tonic (I) chord C. Adding a minor seventh to a major triad creates a dominant seventh (denoted V7). In music theory, the "dominant seventh" described here is called a major-minor seventh, emphasizing the chord's construction rather than its usual function. [27]
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