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Historically, the mock-heroic style was popular in 17th-century Italy, and in the post-Restoration and Augustan periods in Great Britain.The earliest example of the form is the Batrachomyomachia ascribed to Homer by the Romans and parodying his work, but believed by most modern scholars to be the work of an anonymous poet in the time of Alexander the Great.
The novel embodies a fusion of two competing aesthetics of 18th-century literature: the mock-heroic and neoclassical (and, by extension, aristocratic) approach of Augustans such as Alexander Pope and Jonathan Swift, and the popular, domestic prose fiction of novelists such as Daniel Defoe and Samuel Richardson. The novel draws on various ...
The Scriblerus Club was an informal association of authors, based in London, that came together in the early 18th century. They were prominent figures in the Augustan Age of English letters. The nucleus of the club included the satirists Jonathan Swift and Alexander Pope .
Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with "pastiche", "parody", and the 17th and 18th century genre of the "mock-heroic". [11]
A mock-epic, it satirises a high-society quarrel between Arabella Fermor (the "Belinda" of the poem) and Lord Petre, who had snipped a lock of hair from her head without permission. The satirical style is tempered, however, by a genuine, almost voyeuristic interest in the "beau-monde" (fashionable world) of 18th-century society. [17]
Epic of Bamana Segu, oral epic of the Bambara people, composed in the 19th century and recorded in the 20th century; Epic of Darkness, tales and legends of primeval China; Epic of Jangar, poem of the Oirat people; Epic of Köroğlu, Turkic oral tradition written down mostly in 18th century; Epic of Manas (18th century)
Eighteenth-century English landscape gardening and French landscape gardening often featured mock Roman temples, symbolising classical virtues. Other 18th-century garden follies imitated Chinese temples , Egyptian pyramids , ruined medieval castles or abbeys , or Tatar tents, to represent different continents or historical eras.
Robert Morris (1701–1754), born in Twickenham, was one of the most influential 18th-century English writers on architecture. His patternbook plates have been identified as the principal design sources for several prominent houses of colonial America, including Brandon (begun 1765) in Prince George County, Virginia , and Battersea (begun 1768 ...