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Adherents of Judaism do not believe that Jesus of Nazareth was the Messiah or Prophet nor do they believe he was the Son of God.In the Jewish perspective, it is believed that the way Christians see Jesus goes against monotheism, a belief in the absolute unity and singularity of God, which is central to Judaism; [1] Judaism sees the worship of a person as a form of idolatry, which is forbidden. [2]
Religious Jewish Music in the 20th century has spanned the gamut from Shlomo Carlebach's nigunim to Debbie Friedman's Jewish feminist folk, to the many sounds of Daniel Ben Shalom. Velvel Pasternak has spent much of the late 20th century acting as a preservationist and committing what had been a strongly oral tradition to paper.
The Jews of Yemen maintained strict adherence to Talmudic and Maimonidean halakha [2] and "instead of developing the playing of musical instruments, they perfected singing and rhythm." [3] (See Yemenite Jewish poetry. For the modern Yemenite-Israeli musical phenomenon, however, see Yemenite Jewish music.)
Jewish music is the music and melodies of the Jewish people. There exist both traditions of religious music, as sung at the synagogue and in domestic prayers, and of secular music, such as klezmer .
Most Christians believe that Jesus was both human and the Son of God. While there have been theological debate over the nature of Jesus, Trinitarian Christians generally believe that Jesus is God incarnate, God the Son, and "true God and true man" (or both fully divine and fully human). Jesus, having become fully human in all respects, suffered ...
Ulla said: "Do you suppose that Jesus the Nazarene was one for whom a defense could be made? He was a mesit (someone who instigated Israel to idolatry), concerning whom the Merciful [God] says: Show him no compassion and do not shield him (Deut. 13:9). With Jesus the Nazarene it was different. For he was close to the government." [62] [73] [74 ...
The earliest piyyuá¹im date from late antiquity, the Talmudic (c. 70 – c. 500 CE) [citation needed] and Geonic periods (c. 600 – c. 1040). [1] They were "overwhelmingly from the Land of Israel or its neighbor Syria, because only there was the Hebrew language sufficiently cultivated that it could be managed with stylistic correctness, and only there could it be made to speak so expressively."
Jewish ethnomusicologist Mark Kligman notes, “The scope of contemporary Jewish music encompasses a wide range of genres and styles, including music for the synagogue, folk and popular music on religious themes, Yiddish songs, klezmer music, Israeli music, and art music by serious composers.