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Almain rivet gauntlets of Emperor Maximilian I, c. 1514. Museum of Fine Arts (Kunsthistorisches Museum), Vienna Pair of gauntlets, Germany, late 16th century Gauntlets, about 1614. V&A Museum no. 1386&A-1888. A gauntlet is a type of glove that protects the hand and wrist of a combatant.
Late medieval gothic plate armour with list of elements. The slot in the helmet is called an occularium. The slot in the helmet is called an occularium. This list identifies various pieces of body armour worn from the medieval to early modern period in the Western world , mostly plate but some mail armour , arranged by the part of body that is ...
A left-arm vambrace; the bend would be placed at the knight's elbow An ornate German (16th century) vambrace made for Costume Armor. Vambraces (French: avant-bras, sometimes known as lower cannons in the Middle Ages) or forearm guards are tubular or gutter defences for the forearm worn as part of a suit of plate armour that were often connected to gauntlets.
A medieval-era weaving cellar and multiple other artifacts, including over 50 iron pieces, were also found during the excavation. [2] The gauntlet was found within the remains of the weaving cellar, leading archeologists to believe a blacksmith was working in the area before a fire destroyed the weaving cellar.
A knight in full kasten-brust armour without gauntlets (altar of Saint Leonard churge in Basele by Conrad Witz,1435) Kasten-brust armour (German: Kastenbrust — "box-shaped breast") — is a German form of plate armour from the first half of 15th century. Kasten-brust armour was a style of early gothic armour widely used in the Holy Roman Empire.
The second battalion wore armour of vermillion leather joined with red cords, their horse armour had an animal pattern with red tassels, and their unit flag was a panther-like beast. Other battalions were also distinguished by their own colors, patterns, and flags, but neither the bright-brilliant armour or iron armour are mentioned. [44] [45]
Schott-Sonnenberg Style of Armour (worn with sallet and gothic gauntlets). Early types of Maximilian armour with either no fluting or wolfzähne (wolf teeth) style fluting (which differs from classic Maximilian fluting) and could be worn with a sallet are called Schott-Sonnenberg style armour by Oakeshott. [4]
Anglo-Saxon seaxes were commonly constructed using pattern-welding, even in late Anglo-Saxon England when this practice had become uncommon for swords. [55] The blades were sometimes decorated with incised lines or metal inlays, [ 56 ] and a number of examples contain inscriptions bearing the name of the owner or maker. [ 57 ]
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