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"The One I Love" is a song by American alternative rock band R.E.M. It was released on the band's fifth full-length studio album, Document, and also as a 7" vinyl single in 1987.
Over the course of 1980 the band refined its songwriting skills, helped by its frequent gigs at local venues. One of the group's newer compositions was "Radio Free Europe". The song originated from an improvisation by Mike Mills on an unplugged electric guitar at Chapter 3 Records store, on East Broad Street in Athens. [6]
The title itself is derived from Stipe and R.E.M.'s support for what would eventually become the "Motor Voter Bill" and the lyric "Hey, kids, rock 'n' roll" is an homage to the song "Stop It" by fellow Athens, Georgia, group Pylon; Stipe has also said the song is an "obvious homage to 'Rock On' by David Essex," which features a similar line.
We are trying to get away from those kind of songs, but like I said before, those are some good chords." [ 6 ] He felt "Losing My Religion" was the most "typical" R.E.M. song on the album. [ 6 ] The song is in natural minor .
"The record's biggest surprise, however, is its one surefire pop hit, "Everybody Hurts", an almost unbearably passionate argument against suicide. It sounds like a gigantic arena transfiguration of a '50s rock ballad, with Stipe's voice pleading over triplets and massed strings, and surely will be played on radio for generations to come, right next to unforgettable anthems like "Bridge Over ...
In an interview with Guitar World magazine published in November 1996, R.E.M. guitarist Peter Buck agreed that "End of the World" was in the tradition of Bob Dylan's "Subterranean Homesick Blues". [6] The song was included on the 2001 Clear Channel memorandum of songs thought to be "lyrically questionable" after the September 11 terrorist ...
[2] Rolling Stone critic Christopher Connelly states that "Buck does it all: curt, distorted background chords, icy piano notes, warm chordal plucking and high-string riffs that drone." [ 4 ] Co-producer Mitch Easter has stated that "7 Chinese Bros." was "another classic modal-sounding R.E.M. song where the guitar had this familiar and yet ...
I sat down and came up with the chorus, the bridges, and so forth. I remember we showed it to Mike and Michael when they came in later; definitely we had the song finished. I think Bill played bass and I played guitar; we kept going around with it. I think we might have played some mandolin on it in the rehearsal studio." [citation needed]