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The fabrics that kimono are made from are classified in two categories within Japan. Gofuku (呉服) is the term used to indicate silk kimono fabrics, composed of the characters go (呉, the Japanese pronunciation of "Wu"), referring to the State of Wu in ancient China where silk weaving technology developed, and fuku (服, meaning "clothing").
The kimono within the collection are not on permanent display, but are periodically lent or donated in part to cultural institutions; including the Kremlin Museums in Moscow [5] and the Victoria and Albert Museum in London. [6] [7] Khalili, who also owns a collection of Meiji-era Japanese art, describes kimono as "one of the wonders of the ...
An unlined (hitoe) kimono made from tsumugi, showing soft drape.Tsumugi (紬) is a traditional slub-woven silk fabric from Japan.It is a tabby weave material woven from yarn produced using silk noil, short-staple silk fibre (as opposed to material produced using longer, filament yarn silk fibres).
Ōshima-tsumugi kimono are hugely valued for their detailed kasuri patterns and deep black color. They are known as one of the most expensive silk fabrics in Japan. [ 6 ] The cheapest piece costs about 300,000 yen per bolt, or tanmono, and the highest quality costs several million yen.
If the fabric is a single solid colour, or the pattern was komon (a small all-over reversible pattern), the bolt can be cut anywhere. Otherwise, the patterns would be spaced so that it was in the right place relative to where the cloth would be cut (for instance, so that a kimono's hem patterns were located at the hem on all body panels).
They began to circulate on the antiques market, and were often deconstructed into the original fabric panels or fragments. [3] Tsujigahana is a variety of kimono created by the technique of shibori. The extravagant patterns were rather more picturesque and it was more eye-catching than other ordinary kinds of kimono.
Kasuri (絣) is the Japanese term for fabric that has been woven with fibers dyed specifically to create patterns and images in the fabric, typically referring to fabrics produced within Japan using this technique. It is a form of ikat dyeing, traditionally resulting in patterns characterized by their blurred or brushed appearance. [1]
An early 19th century katazome-dyed summer kimono Length showing repeating pattern. Katazome (型染め) is a Japanese method of dyeing fabrics using a resist paste applied through a stencil, typically a rice flour mixture applied with a brush or a tool such as a palette knife. Unlike yūzen, stencils are used repeatedly to make a repeating ...
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