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The series premiered in the United States on March 11, 2006, following the sixth-season premiere of the HBO series The Sopranos. [2] Big Love was a success for HBO, running for five seasons before concluding its run on March 20, 2011. [3] Big Love received widespread critical acclaim, and earned several major awards and nominations throughout ...
Big Love, an American drama television series created by Mark V. Olsen and Will Scheffer, premiered on HBO on March 12, 2006. The series revolves around Bill Henrickson (Bill Paxton), a polygamist living in Sandy, Utah with his three wives, Barb (Jeanne Tripplehorn), Nicki (Chloë Sevigny) and Margene (Ginnifer Goodwin) and their children.
Emily St. James of Slant Magazine wrote, "After the end of the penultimate episode of Big Love’s second season, “Take Me As I Am,” I thought the episode's final shots, showing a knot of rattlesnakes lying beneath the covers of a perfectly made bed, was a little over-the-top as a symbol. But as I thought about it more, I realized the ...
Margene "Margie" Heffman is a character on Big Love, the fictional HBO television series set among contemporary polygamists in Utah. The role is played by Ginnifer Goodwin. The show focuses on the family of Bill Henrickson; Margene is the third of Henrickson's three wives, and the mother of three of Henrickson's children: Aaron, Lester, and Nell.
Mark V. Olsen (born 1962) is an American television producer and screenwriter. He was the co-creator and executive producer of the HBO series Big Love and Getting On along with his writing partner and husband Will Scheffer.
The record finds her reuniting with superstar songwriter Diane Warren, who penned “I Get Weak” for Carlisle 35 years ago, and the magic between them is clearly still there: The lead single ...
Will Scheffer is an American playwright, and was co-creator and executive producer of the television series Big Love and the American remake of Getting On with longtime life partner Mark V. Olsen. He is President and CEO of Anima Sola Productions, which he founded with Olsen in 1992 to create television and film content.
In its original American broadcast, "Damage Control" was seen by an estimated 2.21 million household viewers with a 1.1/3 in the 18–49 demographics. This means that 1.1 percent of all households with televisions watched the episode, while 3 percent of all of those watching television at the time of the broadcast watched it. [2]