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Crooked Rain, Crooked Rain is the second studio album by American indie rock band Pavement, released on February 14, 1994 by Matador Records.The album saw the band move on towards a more accessible rock sound than that of their more lo-fi debut Slanted and Enchanted and achieve moderate success with the single "Cut Your Hair".
Rolling Stone editor Mark Kemp described it as a "scattered and sloppy" effort with "half-baked" performances by Malkmus and Kannberg. [10] He also speculated that the relative success of Crooked Rain, Crooked Rain was a reason for the album's eclectic nature, claiming that Pavement were afraid of success. [10]
Pavement's 'Crooked Rain, Crooked Rain' just turned 30 on February 14. ... the band’s sophomore album Crooked Rain, ... like ice on a hot stove,” Joe Levy wrote in the Rolling Stone review. 4.
Uncut's "The 500 Greatest Albums of the 1990s": #34 [3] Rolling Stone's "100 Best Albums of the '90s": #77 [54] Robert Dimery's 1001 Albums You Must Hear Before You Die [51] Tom Moon's 1,000 Recordings to Hear Before You Die. [55] 17 September 1990 Canción Animal: Soda Stereo: Alternative rock: Sony Music; Columbia
The self-proclaimed “Greatest Rock and Roll Band in the World,” the Rolling Stones formed in London in 1962, with founding guitarist Brian Jones naming the band after “Rollin’ Stone” by ...
Pavement's second album Crooked Rain, Crooked Rain was released in 1994. The record was more indebted to the classic rock tradition than their debut. The single " Cut Your Hair " was the most successful song, and briefly enjoyed airplay on alternative rock radio and MTV .
LA's Desert Origins was released on October 26, 2004, by Matador Records. [1] The album contains a 62-page booklet of liner notes, which contain photographs, artwork, accounts from vocalist/guitarist Stephen Malkmus and guitarist Scott Kannberg (a.k.a. "Spiral Stairs"), and notes Malkmus wrote for Melody Maker about each of the songs on the original album. [2]
The 18-song follow-up to Crooked Rain, 1995's Wowee Zowee, was more experimental than its predecessor and was initially criticized as evidence that the "defiantly anti-corporate" band was "simply afraid to succeed;" [10] the album did not sell as well as Crooked Rain.
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