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Incense burners (miqtarah in Arabic) were used in both religious and secular contexts, but were more widely utilized in palaces and houses. The earliest known examples of dish-shaped incense burners with zoomorphic designs were excavated in Ghanza, [14] [15] while the earliest examples of zoomorphic incense burners are from 11th-century ...
The word is derived from "bakhoor", incense. The mabkhara was traditionally made from clay or soft stone. Most mabkharas (or mabakhir, the Arabic plural) have a square pedestal base with inward sloping sides which support a square cup with outward sloping sides. The wooden base is often carved out to form legs.
Likewise, we find that Maimonides writes in his Code of Jewish Law [129] that the "qinnamon" is the wood that comes from the isles of India whose fragrance is good, and which men use in incense." He later gives the specific Arabic name for this one spice, calling it العود = "al-oud", [130] meaning, agarwood (Aquilaria agallocha; var ...
The other common type of hieroglyph for the burning of incense, is the incense burner: arm (hieroglyph). In later periods of Ancient Egypt it was often made of bronze. In portrayed scenes with the arm, the offerer, most often the pharaoh offering to the god, is shown adding incense pellets from a small storage box at the base of the arm.
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Two servers swing thuribles towards the congregation during a funeral. The Roman Missal, as revised in 1969, allows the use of incense at any Mass: in the entrance procession; at the beginning of Mass to incense the cross and the altar; at the Gospel procession and proclamation; after the bread and the chalice have been placed upon the altar, to incense the offerings, the cross, and the altar ...
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The result was a substantial variety of products such as bowls of different size and shapes, jugs, incense burners, lamps, candlesticks, trays, tiles and so on. These advantages also allowed greater control of carved decoration, the use of which the Seljuks refined and extended during the twelfth century.