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In Irish mythology, Aengus or Óengus is one of the Tuatha Dé Danann and probably originally a god associated with youth, love, [1] summer and poetic inspiration. The son of The Dagda and Boann, Aengus is also known as Macan Óc ("the young boy" or "young son"), and corresponds to the Welsh mythical figure Mabon and the Celtic god Maponos. [1]
Condatis - a Gallic and Brittonic god of the confluences of rivers; Cunomaglus - a Brittonic hunter god [19] Cuslanus - a god in Cisalpine Gaul associated with Jupiter [3] Deus Latis - a Brittonic god; Deus Ducavavius - a god known from a lone inscription in Cisalpine Gaul [15] Deus Orevaius - a god known from a lone inscription at Cemenelum [15]
Epona, the Celtic goddess of horses and riding, lacked a direct Roman equivalent, and is therefore one of the most persistent distinctly Celtic deities.This image comes from Germany, about 200 AD Replica of the incomplete Pillar of the Boatmen, from Paris, with four deities, including the only depiction of Cernunnos to name him (left, 2nd from top)
The Dagda - supreme god and king of the Tuatha Dé Danann; Danu - mother goddess of the Tuatha Dé Danann; Dian Cecht - god of healing; Étaín - heroine of Tochmarc Étaíne; Lir - god of the sea; Lugh - legendary hero and High King of Ireland, god of leadership, skills, the sun, and alliances, associated with friends.
Sovereignty goddess is a scholarly term, almost exclusively used in Celtic studies (although parallels for the idea have been claimed in other traditions, usually under the label hieros gamos). [1] The term denotes a goddess who, personifying a territory, confers sovereignty upon a king by marrying or having sex with him.
This symbol can be seen on the Cave's metal door, on the Emerald Tablet, in The Stranger's papers, and in the Sic Mundus photo. [10] The Triquetra is shown on Thor's hammer, Mjölnir, in the 2011 film Thor. After Odin utters to Mjölnir the words "Whosoever holds this hammer, if he be worthy, shall possess the power of Thor", the Triquetra ...
"Women in Britain had power and it was a more egalitarian place. That was the biggest problem that Romans had with the Britons because Rome was a deeply patriarchal society.
Although known only from Roman contexts, the name Epona ('Great Mare') is from the Gaulish language; it is derived from the inferred Proto-Celtic *ekĘ·os 'horse', [5] which gives rise to modern Welsh ebol 'foal', together with the augmentative suffix-on frequently, although not exclusively, found in theonyms (for example Sirona, Matrona) and the usual Gaulish feminine singular -a. [6]