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In the wake of a 1984 dissertation on "Runes and Magic", Stephen Flowers published a series of books under the pen-name "Edred Thorsson" which detailed his own original method of runic divination and magic, "odianism", [16] which he said was loosely based on historical sources and modern European hermeticism. These books were:
Anglo-Saxon runes or Anglo-Frisian runes are runes that were used by the Anglo-Saxons and Medieval Frisians (collectively called Anglo-Frisians) as an alphabet in their native writing system, recording both Old English and Old Frisian (Old English: rūna, ᚱᚢᚾᚪ, "rune").
Following Tolkien, historical and fictional runes appear commonly in modern popular culture, particularly in fantasy literature, like in J. K. Rowling's Harry Potter, where Runes is a subject taught at Hogwarts, also in the 7th book Harry Potter and the Deathly Hallows, Dumbledore gave Hermione a children's book called The Tales of Beedle the ...
Still, when the runes began to experience competition, they went through a renaissance. A thorough reformation of the runes appeared and the medieval runes reached their most complete form. This may be because the laws were written down, and the oldest manuscript with a Scandinavian law, the Codex Runicus, was written entirely in runes. [8]
They generally contained practical information or memorials instead of magic or mythic stories. [1] The body of runic inscriptions falls into the three categories of Elder Futhark (some 350 items, dating to between the 2nd and 8th centuries AD), Anglo-Frisian Futhorc (some 100 items, 5th to 11th centuries) and Younger Futhark (close to 6,000 ...
Futhorc are Anglo-Saxon runes which were used to write Old English. The most notable of the rings are the Bramham Moor Ring , found in the 18th century, and the Kingmoor Ring , found 1817, inscribed with a nearly identical magical runic formula read as
In fact, one of the Old Norse words for "writing in runes" was fá and it originally meant "to paint" in Proto-Norse (faihian). [61] Moreover, in Hávamál, Odin says: "So do I write / and colour the runes" [60] [62] and in Guðrúnarkviða II, Gudrun says "In the cup were runes of every kind / Written and reddened, I could not read them". [63 ...
Occasional use of runes also seems to have persisted elsewhere, as evidenced by the 16th-century Faroer Fámjin stone. Antiquarian interest in runes first arises in the 16th century, with the 1555 Historia de gentibus septentrionalibus by Olaus Magnus, and picks up in the 17th century, notably with Peder Resen's Edda Islandorum of 1665.
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