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"The Power of Love" is a pop song co-written and originally recorded by American singer-songwriter Jennifer Rush in 1984. It was released in December 1984 by CBS Records as the fifth single from her debut album, Jennifer Rush (1984), and has since been covered by Air Supply, Laura Branigan, and Celine Dion.
"The Power of Love" is a 1985 single by Huey Lewis and the News, written for the soundtrack of the 1985 blockbuster film Back to the Future. The song became the band's first number-one hit on the U.S. Billboard Hot 100 [4] [5] and their second number-one hit on the U.S. Mainstream Rock chart.
The Power of Love (Fish Leong album), 2003; The Power of Love (Sam Bailey album), 2014; Power of Love (Hour Glass album), 1967; Power of Love (Luther Vandross album), 1991; Harry and the Potters and the Power of Love, 2006
Jennifer Rush (born Heidi Stern; September 28, 1960) [1] is an American pop and rock singer. She achieved initial success during the mid-1980s with several singles and studio albums, including the million-selling single "The Power of Love", which she co-wrote and released in 1984.
The Power of Love" is a 1984 single released by British band Frankie Goes to Hollywood which was written by Holly Johnson, Peter Gill, Mark O'Toole and Brian Nash. It was released on 19 November 1984 as the third single single from the album Welcome to the Pleasuredome (1984).
Roblox occasionally hosts real-life and virtual events. They have in the past hosted events such as BloxCon, which was a convention for ordinary players on the platform. [45] Roblox operates annual Easter egg hunts [51] and also hosts an annual event called the "Bloxy Awards", an awards ceremony that also functions as a fundraiser. The 2020 ...
Air Supply is the eighth studio and second eponymous album by British-Australian soft rock duo Air Supply, released in 1985.The album was a step down in the band's sales, attaining gold certification by the RIAA and peaking at No. 26 on the US Billboard 200 chart. [3]
In a retrospective review for AllMusic, Mark Deming wrote that on The Power of Love, the playful side that made many of the songs on Sensible's first solo album so appealing, "fell by the wayside, and instead the album was a straightforward and overly slick exercise in electro-processed pop ... with Tony Mansfield's production so slick and clean you could fry an egg on it."