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Jeremiah 28 is the twenty-eighth chapter of the Book of Jeremiah in the Hebrew Bible or the Old Testament of the Christian Bible. [1] [2] The material found in Jeremiah 28 of the Hebrew Bible appears in Jeremiah 35 in the Septuagint.
Living in Bondage: Breaking Free, also known as Living in Bondage II, is a 2019 Nigerian supernatural thriller executive produced by Charles Okpaleke. [3] [4] A sequel to the 1992 classic Living in Bondage, the film stars Kenneth Okonkwo, Kanayo O. Kanayo, Enyinna Nwigwe, and Muna Abii, with Swanky JKA in his breakout role, and Ramsey Nouah, who makes his directorial debut, playing the main ...
However, Plutarch and Arrian relate that, according to Aristobulus, [b] Alexander pulled the linchpin from the pole to which the yoke was fastened, exposing the two ends of the cord and allowing him to untie the knot without having to cut through it. [3] [4] Some classical scholars regard this as more plausible than the popular account. [5]
Charles Okpaleke, OON // ⓘ (born 14 March 1983) is a Nigerian film producer. [1] [2] His debut film, Living In Bondage: Breaking Free [3] won seven awards at the Africa Magic Viewers’ Choice Awards 2020, including the Best Movie (West Africa) and Best Overall Movie categories. [4]
The iron bit, also referred to as a gag, was used by enslavers and overseers as a form of punishment on slaves in the Southern United States. The bit, sometimes depicted as the scold's bridle, uses similar mechanics to that of the common horse bit.
A shrew's fiddle or neck violin is a variation of the yoke, pillory, or rigid irons whereby the wrists are locked in front of the bound person by a hinged board, or steel bar. It was originally used in the Middle Ages as a way of punishing those who were caught bickering or fighting.
The yoke here is given in opposition to the yoke of sin and the Mosaic law, under which they had previous been groaning. The law of the Gospel is called a yoke, according to John McEvilly, because like every other law, "it binds us to certain duties, and forbids us to transgress certain limits". In the same way it is called a "burden" because ...
The sculpture contains almost a hundred figures representing the different faces of human trafficking including sex exploitation, forced labor, debt bondage and more. Men, women, and children, including an infant are shown to demonstrate the wide range of victims of human trafficking. [3] [4]