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Art Institute of Chicago: Jesus Insulted by the Soldiers: 1865: 190.8 × 148.3 cm: Art Institute of Chicago: Bullfight: 1865 / 1866: 90 × 110 cm: Musée d'Orsay (Paris) Bullfight – Death of the Bull: 1865 / 1866: 48 × 60.4 cm: Art Institute of Chicago: The Matador Saluting: 1866 / 1867: 171.1 × 113 cm: Metropolitan Museum of Art (New York ...
Édouard Manet (UK: / ˈ m æ n eɪ /, US: / m æ ˈ n eɪ, m ə ˈ-/; [1] [2] French: [edwaʁ manɛ]; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
The Balcony (Manet) A Bar at the Folies-Bergère; The Barque of Dante (Manet) The Battle of the Kearsarge and the Alabama; Berthe Morisot with a Fan; Blonde Woman with Bare Breasts; Boating (Manet) Boy Blowing Bubbles; Boy Carrying a Sword; The Brioche; Bullfight (Manet) Bullfight – Death of the Bull; The Bullfight; A Bundle of Asparagus
The bunch of asparagus lies on a base of green leaves that reach from the left side to the lower right corner of the picture. Manet's biographer Théodore Duret speaks of a "lit d'herbes vertes" (bed of green leaves). [3] For the art historian Mikael Wivel, Manet presented the asparagus in the same way a greengrocer would display his goods. [4]
La Nymphe surprise, or Surprised Nymph, is a painting by the French painter Édouard Manet, created in 1861. The model was Suzanne Leenhoff, a pianist whom he married two years later. The painting is a key work of Manet's, marking the beginning of a new period in his artistic career and generally in the history of modernism in French painting.
The painting depicts a sailor and his companion sitting on a mooring dock surrounded by sailboats, the deep blue water of the Seine, and the town of Argenteuil on the far bank. [4]: 353 Art historians have described Argenteuil as a response to Claude Monet's depiction of similar subject matter. [1] Manet held the painting until his passing.
Olympia is an 1863 oil painting by Édouard Manet, depicting a nude white woman ("Olympia") lying on a bed being attended to by a black maid. The French government acquired the painting in 1890 after a public subscription organized by Claude Monet. The painting is now in the Musée d'Orsay, Paris.
Flowers in a Crystal Vase (1882) by Édouard Manet. Flowers in a Crystal Vase (French - Œillets et clématites dans un vase de cristal) is an 1882 painting by Édouard Manet, in the Musée d'Orsay in Paris since 1986. It shows clematis and 'oeillets', a French word used for several kinds of cut flowers, many from the Dianthus genus.
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