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The difficulties of working while wearing an ao dai link the dress to frailty and innocence, she wrote. [11] Vietnamese writers who favor the use of the áo dài as a school uniform cite the inconvenience of wearing it as an advantage, a way of teaching students feminine behavior such as modesty, caution, and a refined manner. [28]
Most of ancient northern Vietnam was referred as the Lạc Việt which was considered to be part of the Baiyue region in ancient Chinese texts. [1]: 26 Prior to the Chinese conquest, the Tai nobles first came in Northern Vietnam during the Đông Sơn era, and they started to assimilate the local Mon-Khmer and Kra-dai people in a processed referred as Tai-ization or Tai-ification as the Tai ...
Dancers at a Vietnamese Tết Festival. The áo tứ thân (chữ Hán: 襖四身, Vietnamese: [ʔaːw˧˦ tɨ˧˦ tʰən˧˧], four-part dress), is a traditional Vietnamese dress commonly worn in the Northern part of Vietnam. The dress is related to the Áo ngũ thân which translates as "5-part dress". [1]
Vietnamese tunics are called áo dài, [11] [12] is a garment now customarily worn by both Vietnamese men and women. It is similar to the kurta of the Indian subcontinent countries, [13] and the cheongsam of China. [14] The áo dài was developed from the clothing worn in Chinese court but it could only be worn by the royalty originally. [15]
The áo gấm (Vietnamese: [ʔǎːw ɣə̌m], Hán-Nôm: 襖錦) is a modified áo dài made with thicker fabric, and is a traditional brocade tunic for men. [1] It is more elaborate than the formal "áo the", a similar men's tunic.
Chinese clothing in the form of trousers and tunic were mandated by the Nguyễn dynasty. As late as the 1920s, in Vietnam's north area in isolated hamlets skirts were still worn. [15] Ming, Tang, and Han dynasty-styled clothing was ordered to be adopted by Vietnamese military and bureaucrats by the Nguyễn lord Nguyễn Phúc Khoát. [16]
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