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Carolina Ceca (born 1979), contemporary artist and art historian based in Tokyo; Mari Chordà (born 1942), painter, poet, feminist; La Chunga (born c. 1938), flamenco dancer, painter; Anabel Colazo (born 1993), illustrator and cartoonist; Colita (born 1940), pseudonym of Isabel Steva i Hernández, photographer; Ana Corbero (born 1961), painter ...
The advanced painting technique used by Goya, as well as elements such as the woman's attire and hairstyle, suggest a later date. Based on research, art historians at the Museo del Prado now believe the most likely date of creation to be between 1814 and 1816. [8] If the portrait indeed depicted the artist's wife, the year 1798 seems improbable.
Although the model of the painting La Belle Ferronnière is still shrouded in mystery, the landmark exhibition "Leonardo Da Vinci: Painter at the Court of Milan" (National Gallery, London, 9 Nov. 2011 – 5 Feb. 2012) listed the portrait as possibly depicting Beatrice d'Este, wife of Ludovico Sforza. [3]
Brindis de Salas is the first Black woman in Latin America to publish a book. The 1947 title Pregón de Marimorena discussed the exploitation and discrimination against Black women in Uruguay. 24.
Ginevra de' Benci is a portrait painting by Leonardo da Vinci of the 15th-century Florentine aristocrat Ginevra de' Benci (born c. 1458).It was acquired by the National Gallery of Art in Washington, D.C. US from Franz Joseph II, Prince of Liechtenstein in February 1967 for a record price for a painting of between $5 and $6 million. [1]
Filipino art experts, historians, and researchers have four theories on the identity of the sitter in Luna's La Bulaqueña despite the lack of any photographs. According to Emilio Aguilar Cruz, a columnist for the Philippine Daily Globe newspaper, the woman in the portrait could be a woman Luna had courted after losing his wife Paz Pardo de Tavera.
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